Moksha Kumar works across painting, photography, and digital image-making. Her practice traces how images shift across states, moving between memory, space, and construction.

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Early works engage with structure through a visual language informed by Brutalism and Cubism, and their echoes within Indian modernism. Architectural fragments recur as frameworks, where space becomes a way of thinking through emotional and physical environments.

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This investigation extends into photography, focusing on colonial-era homes in Kolkata. These spaces, marked by erosion and transition, are approached as sites of accumulation. Through layering, distortion, and repetition, the images shift, holding traces of memory while resisting fixed form.

 

The resulting works form an ongoing series reflecting on disappearance, persistence, and the instability of urban memory.

 

Recent work turns toward myth as a mutable structure. Rather than treating mythology as fixed narrative or icon, the images approach it as something continuously reconfigured through time, interpretation, and belief. This shift moves the work from structuring space toward engaging with narrative.

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Across mediums, the work remains attentive to what is held and what slips, and how images carry, distort, and reorganize memory over time.

 

She remains attentive to what is held and what slips, and how images carry, distort, and reorganize memory over time.